The Pro Audio Suite

Recently listed in Listen Notes top 5% of podcasts globally, and named in Welp magazines list of the 20 top Audio Podcasts, the Pro Audio Suite is a podcast that covers everything to do with voiceovers and audio production. We feature interviews with key players from within the industry including studio engineers in music and post-production, manufacturers of gear, plugin designers, in fact, all aspects of audio and production.

The Pro Audio Suite is different to most other podcasts. With the highest of production values, unique sound, and produced like you were listening to a real radio show.

The Pro Audio Suite will not only bring you interviews with some of the leading lights of our industry but also tips, techniques and tools to hopefully make your work life more productive and creative. Most importantly we understand you don’t want long-winded, half-assed production values, so we keep it as short, sharp and value-packed as possible.

Hosted by voice-over and audio pros, George ‘The Tech’ Whittam, Robert Marshall from Source Connect and SUM1, Darren ‘Robbo’ Robertson from Voodoo Sound and Andrew Peters a voice-over talent home studio expert.

The Pro Audio Suite features interviews with key players not just in VO but anything to do with audio and voice over.
They also talk about tech stuff, VO tips and industry news!
The Pro Audio Suite is delivered weekly.

AI is killing voiceover.

Or is it?

An email to George kicks off a much bigger conversation this week about what artificial intelligence is actually doing to voiceover and audio production right now, rather than what everyone thinks it might do sometime in the future.

There’s no question some areas have already been hit. IVR, phone prompts, repetitive information reads and other work where consistency matters more than performance are obvious targets. In some cases, AI may simply be a faster and more practical way of doing the job.

But what happens when performance, judgement, direction, taste and creativity matter?

Robbo talks about putting a real commercial script through ElevenLabs and trying repeatedly to coax a usable performance from it. The result was nowhere near the performance that ultimately went to air. The guys also discuss an experiment where someone reportedly spent hours directing an AI voice to achieve something a good human performer could deliver in minutes.

That leads to the bigger question.

Are we actually replacing creative people, or are we mostly automating the work that required very little creative interpretation in the first place?

The conversation moves through advertising, radio, post production and sound design, including the danger of companies judging AI purely by the immediate saving on a spreadsheet. Robbo raises the possibility that reductions in quality may take years to become obvious in audience behaviour, much like cost cutting in radio can take time to show up in ratings.

There’s also another side to AI that rarely gets discussed.

Could voice actors eventually license their own synthetic voices?

Could agents represent both the performer and an authorised AI version of that performer?

And if they do, how do you protect the voice once it leaves your control?

That brings the conversation to contracts, watermarking, voice cloning, the story of the original Siri voice, unauthorised voice use, and why performers need to understand exactly what they are signing before handing over the raw material required to recreate their voice.

AI is clearly changing the business.

The interesting question may not be whether humans disappear, but which jobs change, which jobs vanish, and which ones become even more dependent on human judgement, performance and taste.

IN THIS EPISODE

• Why some voice actors are already feeling the effects of AI

• IVR and repetitive reads as obvious targets for synthetic voices

• Why low cost advertising is adopting AI faster than major creative campaigns

• Robbo’s experiment directing an ElevenLabs voice

• Why directing AI can sometimes take longer than directing a performer

• Whether technological change actually destroys industries or reshapes them

• AI generated sound design and the continuing importance of human taste

• AI in radio traffic, weather and news

• Whether audiences should be told when AI is being used

• Short term savings versus long term damage to content quality

• Licensing your own AI voice